Christmas Morning Breakfast - Horace Pippin
Archival giclée
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Description
A domestic genre scene by Horace Pippin, depicting a family at breakfast with a focus on bold colours and flattened perspective.
Horace Pippin, a self-taught artist from Pennsylvania, produced this work in 1945. The painting depicts a domestic scene, capturing a family gathered for a meal. Pippin employs a flattened perspective, which draws attention to the arrangement of figures and furniture within the room. The composition is balanced, with the seated father on the left and the mother serving food on the right, while two children sit at the table between them. The colour palette is deliberate, featuring a bright yellow door, a deep blue cupboard, and a red-and-white checkered apron. These bold, flat areas of colour are characteristic of Pippin's approach to painting. He often focused on scenes of everyday life, memory, and historical events, using a direct and unadorned style. The interior space is rendered with a sense of quiet order. The wooden floorboards, the simple chairs, and the clock on the wall provide a sense of place and time. Pippin began painting in the 1930s, following an injury sustained during his service in the First World War. His work is noted for its clarity and its ability to convey personal and communal narratives. In this piece, the focus remains on the interaction between the family members and the ritual of the morning meal. The lack of complex shading or atmospheric perspective allows the viewer to engage directly with the subjects. The painting is a clear example of his ability to organise a scene through shape and colour, creating a narrative that feels both intimate and universal. The work remains a primary example of American folk art from the mid-twentieth century, reflecting the artist's unique perspective on domestic life.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Christmas Morning Breakfast - Horace Pippin
Our Features
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
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Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Horace Pippin
He was born in West Chester, Pennsylvania, in 1888; his grandparents had been enslaved. As a boy in Goshen, New York, he won a box of crayons in a competition sponsored by an art supplier. That was the extent of his formal art education. After the war, he settled back in West Chester and began painting in the early 1930s, using his left hand to prop up his injured right arm. He worked on canvas, fabric, and cigar boxes, and burned images into wood panels with a hot poker. He also tried bee sting therapy for his wound, trading fish pepper seeds to his Quaker friend H. Ralph Weaver in exchange for bees.
Pippin produced roughly 140 works over twenty years. His subjects ranged from war memories to biblical scenes, landscapes and domestic interiors. The style was self-taught and non-academic: flat, bold colour within firm outlines, with a structural clarity that recalls American folk art and Edward Hicks's peaceable kingdom paintings. In 1943, the collector Albert C. Barnes and curator Christian Brinton began championing his work, bringing it to major exhibitions in Philadelphia and New York.
He became the first Black artist to be the subject of a published monograph, Selden Rodman's Horace Pippin, A Negro Painter in America (1947). He died in West Chester in 1946, at fifty-eight. The New York Times called him the most important Black painter in American history.
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