Christ Meets Veronica on the Way to Calvary - Giovanni Domenico Tiepolo
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
An etching by Giovanni Domenico Tiepolo depicting the sixth Station of the Cross, where Christ meets Veronica. The scene is rendered with fine, detailed lines, characteristic of Tiepolo's etching technique.
This etching by Giovanni Domenico Tiepolo depicts the sixth Station of the Cross, where Christ meets Veronica, who offers him a cloth to wipe his face. Tiepolo, son of the celebrated Giovanni Battista Tiepolo, was a master printmaker in his own right. He is known for his series illustrating the Stations of the Cross, of which this is one. The scene is rendered with fine, detailed lines, characteristic of Tiepolo's etching technique. Christ, bearing the cross, is surrounded by Roman soldiers and onlookers. Veronica kneels, offering the cloth. The composition is dynamic, with figures arranged to convey the drama of the event. The sky is filled with birds, adding to the emotional intensity of the scene. The print captures a moment of compassion amid suffering, a central theme in Christian art. The inscription below the image identifies the scene and offers a devotional message in Italian.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Christ Meets Veronica on the Way to Calvary - Giovanni Domenico Tiepolo
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Giovanni Domenico Tiepolo
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
You May Also Like