A small-scale woodcut by Swiss Renaissance artist Urs Graf, depicting a biblical scene with hand-applied colour.

This woodcut, attributed to the Swiss artist Urs Graf, depicts the biblical narrative of Christ questioning his disciples regarding his identity. Graf, a figure active in the early sixteenth century, is recognised for his distinct approach to printmaking and his involvement in the mercenary life of the period. His work often carries a raw, energetic quality that separates it from the more polished output of his contemporaries in the German-speaking lands. The composition is compact, typical of small-scale devotional prints intended for personal use or inclusion in religious texts. Christ is positioned on the left, seated in a natural setting, while the disciples gather on the right. The lines are direct and expressive, reflecting the technical constraints and possibilities of the woodblock medium. The application of hand-colouring, while simple, provides a clear distinction between the figures and the background, using a palette of muted greens, pinks, and yellows that was common for prints of this era. Graf's signature monogram, the VG mark, is visible in the lower left corner. This inclusion confirms his authorship and aligns with his practice of marking his graphic works. The scene captures a moment of theological inquiry, rendered with the characteristic directness of the Northern Renaissance style. The figures are depicted with minimal anatomical detail, focusing instead on the narrative clarity of the interaction. This print offers a glimpse into the visual culture of the early sixteenth century, where religious imagery was produced for a wide audience, bridging the gap between high art and popular devotional material. The work remains a representative example of the graphic output from the Swiss region during a period of significant religious and social change.