California - Yves Klein
Archival giclée
Ready to hang
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Made to order
Description
A museum-grade fine art print of Yves Klein's iconic monochrome work, featuring his signature International Klein Blue pigment.
California is a work by the French artist Yves Klein, executed in his signature International Klein Blue (IKB). This piece belongs to a series of monochrome paintings that Klein developed during the late 1950s and early 1960s. By applying a specific ultramarine pigment suspended in a synthetic resin binder, Klein sought to achieve a surface that maintained the intensity of the raw powder. The result is a matte, saturated field of colour that appears to absorb light rather than reflect it. Klein viewed the monochrome as an open window to the infinite. He moved away from traditional representational painting, arguing that the artist should not attempt to capture a specific subject, but rather communicate a state of pure sensibility. The absence of brushstrokes or compositional elements forces the viewer to confront the colour itself as an autonomous entity. This approach was intended to liberate the viewer from the constraints of form and narrative, allowing for a direct experience of the void. In the context of his broader practice, which included performance art and the use of fire or rain to create marks, these monochrome canvases represent a disciplined focus on the material properties of paint. The work is not a depiction of a place, but an invitation to experience the spatial qualities of the colour blue. The uniformity of the surface is deliberate, removing any trace of the artist's hand to ensure that the focus remains entirely on the sensory impact of the pigment. This print captures the specific depth and matte finish of the original, providing a faithful representation of Klein's pursuit of immateriality through the medium of paint.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
California - Yves Klein
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Museum-Quality Materials
Artist Biography
Yves Klein
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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