Bust of Mademoiselle Lender - Henri de Toulouse-Lautrec
Archival giclée
Ready to hang
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Made to order
Description
A vibrant lithograph by Henri de Toulouse-Lautrec, 'Bust of Mademoiselle Lender' captures the essence of Belle Époque Paris with its bold colours and dynamic portraiture of the famous actress. A striking piece of art history for the modern home.
Henri de Toulouse-Lautrec's 'Bust of Mademoiselle Lender' is a captivating portrait of the Belle Époque actress and singer, Anna Held (stage name Mademoiselle Lender). Created in 1895, this lithograph exemplifies Toulouse-Lautrec's innovative approach to printmaking and his fascination with the demimonde of Parisian nightlife. The work captures Lender in profile, her red hair piled high with elaborate feathered adornments. Toulouse-Lautrec masterfully uses colour and line to convey her personality and stage presence. The background features a swirling, decorative pattern, characteristic of the Art Nouveau style prevalent at the time. Toulouse-Lautrec's prints were revolutionary in their ability to capture the energy and spirit of modern life. This print, with its bold colours and dynamic composition, would make a striking addition to any home. Its historical significance and artistic merit make it a conversation piece, while its decorative qualities ensure it complements a variety of interior styles. Perfect for adding a touch of Parisian flair to a living room, study, or hallway, this print brings a piece of art history into the contemporary home.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Bust of Mademoiselle Lender - Henri de Toulouse-Lautrec
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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100% Satisfaction Guarantee
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Museum-Quality Materials
Artist Biography
Henri de Toulouse-Lautrec
Toulouse-Lautrec's posters and paintings, such as 'At the Moulin Rouge' and 'Jane Avril,' immortalised the iconic figures of the era. He elevated the art of lithography, using bold colours and innovative compositions to create striking advertisements and artworks. His distinctive style, characterised by flattened perspectives and expressive line work, defied academic convention and embraced the energy of modern life.
Despite his tragically short life, cut short by alcoholism and syphilis at just 36, Toulouse-Lautrec left an indelible mark on art history. He bridged the gap between fine art and commercial design, influencing generations of artists and solidifying his place as a key figure in Post-Impressionism. His works offer a glimpse into a vibrant and often overlooked side of Parisian society, capturing the spirit of a bygone era with enduring appeal.
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