A powerful wood engraving by Rockwell Kent, created in 1927 as a response to the execution of Sacco and Vanzetti.

This wood engraving by Rockwell Kent serves as a stark visual commentary on the execution of Nicola Sacco and Bartolomeo Vanzetti, which took place on 23 August 1927. The composition features two severed heads mounted upon a single vertical spear, positioned against a dark, atmospheric background. A radiant halo emanates from behind the heads, creating a sharp contrast between the light and the surrounding void. In the distance, three small crosses stand upon a hill, referencing the crucifixion and adding a layer of religious symbolism to the political subject matter. Kent was a vocal supporter of the two Italian anarchists, and this work reflects the gravity of the public outcry surrounding their trial and subsequent deaths. The artist employs his characteristic high-contrast style, utilising the physical limitations of the woodblock to create bold, clean lines and deep shadows. The vertical orientation of the spear draws the eye upward, while the Roman numerals for the date, MCMXXVII, flank the central figures. The inclusion of the date in both text and numeral form reinforces the specific historical moment the print commemorates. Technically, the work demonstrates Kent's mastery of the wood engraving medium. He uses precise, rhythmic hatching to define the contours of the faces and the texture of the hair, while the radiating lines of the halo demonstrate his ability to manipulate light through negative space. The composition is balanced and austere, avoiding unnecessary detail to focus the viewer on the grim nature of the event. This print is a significant example of Kent's graphic work, where he merges personal political conviction with a refined, modernist aesthetic. It remains a powerful piece of American printmaking from the interwar period, capturing a moment of intense social and political tension.