Assumption of the Virgin - Guido Reni
Archival giclée
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Description
Guido Reni's Baroque painting, "Assumption of the Virgin", depicts Mary's ascent to Heaven surrounded by angels and the awestruck apostles. The work is characterised by its dramatic composition, rich colours, and delicate rendering of human emotion.
Guido Reni's "Assumption of the Virgin" is a quintessential example of Baroque religious painting. Reni, an Italian artist born in Bologna, was a leading figure in the Bolognese School, known for its classical idealism and restrained emotion. This work depicts the Virgin Mary being lifted to Heaven, surrounded by angels and watched by the apostles below. The composition is divided into two distinct zones: the heavenly realm above and the earthly scene below. In the upper portion, Mary, clad in a red robe and blue mantle, ascends amid a swirl of cherubic figures. The angels, rendered with delicate pink and white tones, create a sense of ethereal lightness. Below, the apostles gaze upwards, their faces expressing awe and wonder. Reni's skill in depicting human emotion is evident in their varied expressions and gestures. The colour palette is dominated by deep blues, reds, and golds, typical of Baroque painting, which adds to the drama and spiritual intensity of the scene. The figures are rendered with a soft, almost porcelain-like finish, a hallmark of Reni's style.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Assumption of the Virgin - Guido Reni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Guido Reni
Reni’s ambition knew no bounds. He moved to Rome and quickly became a rival to Caravaggio, securing major commissions from the likes of the Borghese family. His frescoes, such as the *Aurora* ceiling in the Casino dell'Aurora, are testaments to his technical skill and artistic vision. Yet, Reni was also a complex character, known for his gambling addiction and a reported fear of witchcraft, which perhaps explains the melancholic undertones that sometimes surface in his art.
Despite his personal demons, Guido Reni left an indelible mark on the Baroque movement. His pursuit of idealised beauty influenced generations of artists, and his works, like *Hippomenes and Atalanta* and *The Ecstasy of Saint Paul*, continue to captivate viewers with their elegance and emotional depth. For those seeking a touch of refined drama and timeless grace, Reni's art offers a window into a world of unparalleled beauty.
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