A raw, expressive mixed media work by Marlene Dumas, exploring the psychological act of self-reflection through fluid lines and gestural colour.

Marlene Dumas is known for her exploration of the human figure, identity, and the psychological weight of representation. In this work, titled Artist Looking at Herself, Dumas employs a raw, immediate approach to the act of self-reflection. The composition is sparse, prioritising the gestural quality of the marks over a finished, polished aesthetic. By combining charcoal or graphite lines with washes of colour, she creates a sense of instability that mirrors the subjective nature of self-perception. The figure is rendered with a degree of abstraction, suggesting a body in motion or a state of internal flux. Dumas often draws from a personal archive of photographs and media imagery, yet here the focus remains on the physical process of drawing. The inclusion of the title in the artist's own hand at the bottom of the sheet serves as a direct address to the viewer, grounding the work in the specific context of the artist's practice. The use of negative space is deliberate, allowing the paper to function as an active element within the composition rather than a passive background. This piece captures the tension between the artist as the observer and the artist as the subject. The brushwork is fluid, with deep blues and earthy tones providing a stark contrast to the lighter areas of the page. By avoiding traditional portraiture conventions, Dumas invites a consideration of how we construct our own image. The work functions as a meditation on the vulnerability inherent in the creative process, stripping away artifice to reveal the mechanics of looking. It is a characteristic example of her ability to condense complex emotional states into a singular, evocative visual statement.