A satirical etching by Thomas Rowlandson depicting a heated domestic confrontation between a mistress and her maid.

This etching, titled Anger, is part of a series exploring human temperaments, produced in collaboration with the artist George Moutard Woodward. Rowlandson, a master of the satirical print, employs his characteristic fluid line to capture a domestic scene of extreme agitation. The composition focuses on the interaction between a mistress and her maid, with the former depicted in a state of aggressive fury. Her facial features are exaggerated to convey her rage, while her clenched fist adds a physical dimension to her verbal assault. The maid, positioned to the right, displays a look of shock and wide-eyed alarm. Rowlandson uses a combination of precise etched outlines and delicate watercolour washes to define the figures. The colour palette is restrained, allowing the focus to remain on the expressive gestures and the social dynamic of the scene. The text at the bottom, which reads, 'This unruly Passion shews itself in a forcible degree in a termagant Mistress, scolding her Maid servant', provides the narrative context for the visual drama. Rowlandson was highly regarded for his ability to observe the absurdities of daily life in late eighteenth and early nineteenth-century Britain. His work often functioned as social commentary, using humour and caricature to critique class structures and human behaviour. This print demonstrates his technical skill in etching, where the line work remains crisp and descriptive despite the rapid, sketch-like quality of the execution. The piece is a representative example of the popular print culture of the period, where such works were widely circulated and enjoyed for their wit and observational accuracy. The collaboration between Woodward, who provided the initial designs, and Rowlandson, who executed the plates, was a common practice in the London print trade, ensuring a high output of satirical material for the public.