And if Mlle. would condescend to accept the homage and supplication of a gentleman... -Are you finished yet?!, p. 61 - Paul Gavarni
Archival giclée
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Description
A humorous social commentary by French caricaturist Paul Gavarni, this print captures a moment of interaction between a gentleman and a lady, hinting at a story unfolding in a Parisian social setting.
This print by Paul Gavarni (1804-1866), a French caricaturist, captures a scene of social interaction with a touch of humour. Gavarni, known for his acute observations of Parisian life, presents a narrative snapshot, inviting viewers to interpret the relationship between the figures depicted. The work's title, a snippet of dialogue, adds to the intrigue, suggesting a story unfolding within the frame. Gavarni's skill in capturing expressions and gestures brings the characters to life, making them relatable despite the passage of time. The composition is simple, yet effective, focusing on the interaction between the two figures. The backdrop, with the word 'BAL' repeated, hints at a social setting, perhaps a dance or gathering. The woman, dressed in the fashion of the time, appears to be the object of the gentleman's attention, while his posture and expression suggest a mix of eagerness and perhaps a hint of desperation. The print's monochromatic palette adds a timeless quality, allowing the viewer to focus on the details of the scene and the emotions conveyed by the characters.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
And if Mlle. would condescend to accept the homage and supplication of a gentleman... -Are you finished yet?!, p. 61 - Paul Gavarni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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