A 1894 Art Nouveau lithograph by Eugène Grasset, designed as a promotional poster for The Century Magazine featuring Napoleon Bonaparte.

This lithographic poster by Eugène Grasset, created in 1894, promotes a biographical series on Napoleon Bonaparte for The Century Magazine. Grasset, a figure in the development of the Art Nouveau style, employs a clear, graphic approach that reflects his background in architectural design and decorative arts. The composition features Napoleon mounted on a white horse, set against a backdrop of stylised, billowing clouds and a radiant sky. The work demonstrates the influence of Japanese woodblock prints, particularly in the use of bold outlines and flattened perspective. The colour palette is restricted to a few tones, allowing the forms to remain legible from a distance, which was a requirement for effective street advertising during the late nineteenth century. The lettering is integrated into the design, a hallmark of Grasset's approach to graphic communication. Grasset was instrumental in the transition from Victorian-era illustration to the more fluid, organic forms of the Art Nouveau movement. His work often combined medieval motifs with modern printing techniques. In this piece, the figure of Napoleon is rendered with a sense of stoic authority, while the surrounding environment is simplified into decorative shapes. The contrast between the dark silhouette of the rider and the warm, golden hues of the background creates a balanced visual hierarchy. This print offers a glimpse into the commercial art practices of the 1890s, where fine art techniques were applied to mass-produced media to capture public attention.