A detailed 1901 copperplate engraving of St. Paul's Chapel in New York City, commissioned by The Society of Iconophiles.

This copperplate engraving by Sidney L. Smith, produced in 1901, depicts St. Paul's Chapel in New York City. The work was commissioned by The Society of Iconophiles, a group dedicated to documenting the history and topography of New York through fine prints. Smith, a skilled engraver, re-interpreted an earlier drawing by I. Anderson to create this refined architectural study.

The composition focuses on the church structure, specifically its prominent steeple, which rises against a sky filled with soft, etched clouds. The foreground features a manicured green space with small figures, providing a sense of scale to the Georgian architecture. The lines are precise and controlled, reflecting the technical demands of the copperplate medium. The engraving captures the symmetry and classical proportions of the building, which remains a notable example of colonial-era design in Manhattan.

As a piece of historical documentation, the print serves to preserve the appearance of the city at the turn of the twentieth century while looking back to the eighteenth-century origins of the site. The inclusion of the Society of Iconophiles emblem at the base of the print identifies its provenance and the specific intent behind its creation. The work demonstrates the meticulous attention to detail required in early twentieth-century reproductive engraving, where the goal was to maintain the character of the original source material while applying the technical standards of the era. The print offers a clear view of the church exterior, highlighting the masonry and the verticality of the spire, which was a defining feature of the New York skyline during the period depicted.