Skip to content Loading

Buy any 3 artworks and save 15%

Museum-grade giclée on FSC-certified paper Framed prints arrive ready to hang Secure checkout Faulty or damaged? We'll replace it free A British studio, printing worldwide

A Squirrel and a Crow - Arthur Rackham

Regular price  £28.00 GBP
Sale price  £28.00 GBP Regular price 
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
In - stock and ready to ship

Buy any 3 artworks — save 15%

Mix artists, sizes and finishes. Discount applied automatically at checkout.

Archival giclée

Ready to hang

Secure checkout

Made to order

Description

A classic fantasy illustration by Arthur Rackham, featuring a crow and a squirrel perched in a tree, rendered in his signature ink and watercolour style.

Arthur Rackham remains one of the most recognisable figures of the British Golden Age of Illustration. His work is defined by a distinct technical approach, combining fine pen and ink lines with a restrained, muted watercolour palette. In this piece, Rackham displays his characteristic ability to anthropomorphise natural subjects. The crow and the squirrel are rendered with expressive, almost human-like features, perched upon a gnarled tree branch that dominates the foreground. Rackham often employed a specific compositional strategy, placing his primary subjects in the immediate foreground while allowing a distant, sketch-like view of the countryside to recede into the background. Here, a small horse-drawn cart travels along a quiet road, providing a sense of scale and atmosphere that contrasts with the larger, more detailed figures in the tree. The line work is precise and rhythmic, showing the artist's background in commercial illustration and his mastery of the ink medium. The subtle application of colour, primarily in the warm tones of the sky and the earthy hues of the tree trunk, ensures that the focus remains on the interaction between the two creatures. This work reflects the period's fascination with folklore and the natural world, themes that Rackham explored throughout his career. His style is marked by a balance between observation and imagination, creating scenes that feel grounded in reality yet possess a clear narrative quality. The paper texture and the visible pencil under-drawings offer a glimpse into his working process, revealing the careful construction behind his finished illustrations. This print captures the quiet, observational nature of his art, making it a representative example of his contribution to early twentieth-century British illustration.

Return policy

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.

Shipping

We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.

Manufacturing

Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.

Complete The Look
A Squirrel and a Crow - Arthur Rackham - Poster

A Squirrel and a Crow - Arthur Rackham

Regular price  From £28.00 GBP
Sale price  From £28.00 GBP Regular price 
Fine Art Poster / A4 (21x29.7 cm) / -

Our Features

Designed for Lasting Impact

Specific Features

Every Solis piece is made to order with archival, gallery-quality materials built to last.

  • Museum-grade giclée printing for rich, fade-resistant colour
  • Archival matte fine-art paper, FSC-certified
  • Choose poster, framed print, canvas or framed canvas
  • Frames in black, natural wood, dark wood or white
  • Framed prints arrive ready to hang
Care & Cleaning

To keep your artwork looking its best:

  • Dust gently with a soft, dry cloth
  • Avoid prolonged direct sunlight
  • Never use liquid cleaners on the print or canvas surface
  • Keep in a dry, room-temperature space
  • Handle prints with clean, dry hands
Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white

Why Choose Us ?

Premium quality artwork

Printed with museum-grade inks for rich, lasting color.

Meticulous craftsmanship

Solid wood frames assembled with precision and care.

Modern & timeless design

Curated collections that balance trend and longevity.

Crafted with care

Carefully inspected and finished before shipping.

100% Satisfaction Guarantee

Fast Shipping

Museum-Quality Materials

Arthur Rackham portrait

Artist Biography

Arthur Rackham

Rackham was one of twelve children and smuggled pencils into bed to draw under the covers. When his parents confiscated the paper, he drew on his pillowcase. At seventeen his health was poor enough that he was sent on an ocean voyage to Australia with two aunts. He drew the entire way. The trip settled two things: his health recovered, and he knew he would be an artist.

He came back to London and got a job as an insurance clerk at the Westminster Fire Office, studying part-time at the Lambeth School of Art. In 1892 he left insurance for the Westminster Budget, where he worked as a reporter and illustrator. The illustration work took over. His watercolour of Winchelsea had already been accepted by the Royal Academy and sold for two guineas when he was twenty-one.

He met the painter Edyth Starkie over a garden fence. She encouraged him to stop imitating other illustrators and follow his own instinct, which ran toward twisted trees, gnarled roots and creatures that lived in the gaps between the real and the imagined. They married in 1903. That same year he illustrated The Fairy Tales of the Brothers Grimm, which was reprinted twice and made his name.

His style fused northern European line drawing (Durer, Altdorfer) with Japanese woodblock composition. The trees have faces. The roots have fingers. Peter Pan in Kensington Gardens and Rip Van Winkle followed, the latter a turning point in book production: its fifty-one colour plates demonstrated that colour-separated printing could accurately reproduce original artwork.

Guillermo del Toro cited Rackham as an influence on the Faun in Pan's Labyrinth. Brian Froud credited him with sparking an interest in fairy illustration. He worked until the end: his final commission, The Wind in the Willows, was completed in 1939 shortly before his death at seventy-one.
Discover Artist

Frequently Asked Questions

How long does it take to process an order?

Every print is made to order. UK orders typically arrive within 3–5 business days; US and European orders usually take a little longer (around 5 business days). You’ll get a confirmation email as soon as your order is on its way.

Do you ship internationally?

Yes — we currently ship across the UK, US and Europe. Available shipping options and costs are shown at checkout.

What is your return policy?

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.

What are your sizing options?

Most artworks come in a range of formats and sizes:

  • Poster & Framed: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas & Framed Canvas: XS (20×30), Small (30×40), Medium (40×60), Large (60×90 cm)

The available options appear in the dropdowns on each product.

Your cart
Rated 4.7 on Judge.me
Your cart is empty
Have an account? Log in to check out faster.
Continue shopping Continue shopping
Cart total £0.00 GBP
Product image Product information Quantity Product total