A Bornean Pitcher Plant, Sarawak, Borneo - Marianne North
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed botanical study of the Nepenthes pitcher plant, painted by Victorian explorer and artist Marianne North during her travels in Borneo.
Marianne North was a prolific Victorian traveller and painter who documented flora across the globe. Her approach to botanical art differed from the scientific illustrators of her time, as she preferred to paint plants in their natural habitats rather than as isolated specimens against white backgrounds. This work depicts the Nepenthes, a carnivorous pitcher plant, observed during her time in Sarawak, Borneo, in the mid-1870s.
The composition captures the hanging pitchers in various stages of development, suspended against a textured, mossy backdrop. North used oil paint on board, a medium that allowed her to work quickly in humid, challenging environments. Her technique focuses on the physical structure of the plant, from the elongated, waxy leaves to the distinctive, deep-red mottled pitchers that give the species its predatory reputation. The lighting is naturalistic, suggesting the dappled shade of a forest floor, which provides a sense of the plant's environment.
North donated her collection of over 800 paintings to the Royal Botanic Gardens, Kew, where they remain housed in a gallery she commissioned. Her work provides a record of plant species as they appeared in the late 19th century, before the widespread environmental changes of the modern era. This print captures the precision of her observation and the specific, earthy palette she employed to render the tropical vegetation of Borneo.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Bornean Pitcher Plant, Sarawak, Borneo - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

