His work defines the Yokohama-e genre. These prints documented the arrival of foreign merchants and new technologies. He produced works such as Dutch Ship at Anchor and the Entrance to the Gankirō Tea House. While the first Hiroshige focused on the natural world, his successor recorded the start of the Meiji era. His depictions of French and Russian visitors used traditional woodblock techniques and bold colours to explore entirely new subjects.

Modern collectors appreciate these prints for their historical accuracy and clear lines. Works like “America”: A Native American Woman on Horseback in the Snow provide a specific look at how Japan viewed the outside world. These pieces offer a sense of global history. They suit contemporary homes by blending classical Japanese style with themes of travel and international discovery.