His technique involves precise line work and a clear sense of space. In Daniel's Vision of the Four Beasts, he uses literal interpretations of biblical descriptions. He often framed his subjects within architectural arches or columns. This method gives his prints a structured feel. He avoided the heavy chiaroscuro common in contemporary Dutch art. Instead, he favoured clarity and balanced compositions that allowed the narrative to remain the primary focus.

Modern collectors value his prints for their historical clarity and graphic quality. His work represents a rare crossover between Italian design and the Amsterdam printing trade. The black and white compositions fit well in contemporary interiors. They offer a sense of order and historical depth without being overly decorative. His engravings provide a direct connection to the intellectual world of 17th-century Amsterdam.