His artistic method relied on a rapid, nervous ink line often created with a fountain pen. He rejected the clean aesthetic of traditional comic strips. Instead, he used heavy cross-hatching and messy washes to create environments that felt lived-in and slightly chaotic. His characters often have rumpled clothing or weary expressions. This visual style suggests a world of domestic clutter and human frailty. He focused on the body language of embarrassment.

Modern collectors find a sense of honesty in these drawings. They do not attempt to idealise the subject. The work fits well in contemporary interiors because it provides a humorous look at the frustrations of office life and marriage. His prints offer a way to acknowledge the absurdity of the human condition without losing their sense of humour.