His style belongs to the Antwerp Mannerist movement, defined by theatrical compositions and elongated figures in restless poses. These works often feature complex architectural settings and feathered brushwork that suggests movement. The artist used underdrawings to plan his crowded scenes, a process visible in modern X-radiograph studies of his "Adoration of the Magi" triptych. These technical images reveal how he adjusted the placement of figures and objects to balance the busy compositions.

Collectors today value these prints for their narrative density and the window they provide into sixteenth-century craftsmanship. The inclusion of unusual subjects, such as "Man Riding on a Steer", demonstrates a curiosity that extends beyond traditional biblical themes. These images offer a sense of historical discovery, particularly when viewing the internal structures of the paintings through X-ray photography. They bring a scholarly atmosphere to a room without relying on conventional decorative tropes.