His work belongs to the Rococo movement, yet it maintains a firm grip on realism. While contemporaries often painted sitters as gods or goddesses, Tocqué focused on the physical presence of the individual. He was skilled at painting fabrics, particularly the sheen of silk and the weight of velvet. His "Portrait of a Woman of the Plainval Family" shows this skill through careful observation of texture and light. He avoided the soft finishes common in the era, choosing to define forms with clarity.

Modern collectors value Tocqué for his ability to capture character without excessive artifice. His portraits, such as the "Portret van Isaac van Rijneveld", feel direct and approachable. They provide a window into the Enlightenment era that feels grounded in reality. These prints suit contemporary interiors because they offer a sense of history without heavy ornamentation. The neutral palettes and clear compositions allow them to sit comfortably in various home settings.