His work often features quiet, observational subjects. He specialised in a precise graphic style for his woodcuts and drawings. In works like Olielamp or Meisje op een akker ruikt aan een bloem, he focused on the interplay of light and shadow. His compositions are often sparse. He avoided unnecessary ornamentation, preferring to let the geometry of a path or the silhouette of a tree define the image. This approach gives his work a modern, graphic quality.

Modern collectors value the stillness found in Bezaan's prints. His depictions of the Dutch countryside and French locations like Avignon and La Camargue feel timeless. The monochromatic nature of many of his woodcuts fits well with contemporary interior design. These prints provide a sense of calm through their balanced proportions and clear lines.