His work often features a flattened perspective and bold outlines, reflecting his background in woven media. Lurçat rejected the traditional method of copying oil paintings into wool. Instead, he developed a system of numbered cartoons where each section of a design corresponded to a specific wool colour. This technical precision allowed him to produce large-scale works with a limited palette of about forty shades. His subjects include mythological figures like Bacchus and celestial bodies, while animals such as tortoises and pheasants also appear frequently. These elements are rendered with a graphic clarity that bridges the gap between Surrealism and decorative art.

Modern collectors value Lurçat for his ability to balance mid-century modernism with ancient themes. His prints, such as those depicting the Algerian countryside or the ruins of Delphi, offer a sense of order and balance. The use of solid blocks of colour and sharp, defined shapes makes his work suitable for contemporary interiors. These prints provide a connection to the mid-twentieth-century French avant-garde while maintaining a direct, readable quality. These works provide a sophisticated alternative to more abstract movements, offering recognisable forms with a refined, intellectual edge.