Continuing the Dutch landscape tradition, his technique relies on a controlled palette and a focus on atmosphere. In works like Maanlicht boven een plas, he avoids bright colours to explore the tonal range of night and reflection. His compositions are often sparse. He uses the horizontal lines of the Dutch horizon to create a sense of space. Whether painting a mill or a simple house, he prioritises the physical presence of the building within its natural surroundings.

Modern collectors value the calm and architectural quality of these prints. The works provide a window into a slower period of Dutch life without becoming overly sentimental. Gezicht op de Maas bij Dordrecht offers a balanced composition that fits well in contemporary interiors. His ability to capture the specific mood of the Netherlands makes these prints a popular choice for those seeking understated art.