His artistic method relied on the precise use of the burin to create depth through cross-hatching and varied line weights. After studying under Hendrick Goltzius, he moved away from the exaggerated muscularity of Mannerism toward a more naturalistic representation of the human figure. His series on the Twelve Patriarchs and the Passion of Christ demonstrate this shift. These engravings prioritise clear compositions and anatomical accuracy over the stylistic distortions common in earlier Netherlandish engravings.

Modern collectors often choose these engravings for their graphic clarity and historical detail. The monochrome palette of his work complements contemporary decor without overwhelming a room. These engravings provide a direct link to the intellectual world of the early seventeenth century. Each engraving offers a study of form and shadow that remains visually striking hundreds of years after its creation.