His artistic method relies on strong brushwork and deliberate composition. In his work Herbaceous Peony, he uses varied ink tones to suggest volume. He avoided the stiff conventions of earlier periods. His style is direct and avoids unnecessary ornamentation. He used a limited palette to maintain focus on the subject. The movement of his brush remains visible on the paper. This technique gives his botanical studies a sense of immediacy.

Collectors today appreciate the clarity and balance in his art. His paintings have a structured quality that works well in modern homes. The botanical themes are timeless and provide a quiet presence in a room. His work represents the transition toward more individualistic expression in Chinese art. These prints offer a sophisticated look for those interested in the history of the Shanghai School. The clean aesthetic complements a wide range of decor styles.