His work focuses on clear draughtsmanship and precise tonal control. This reflects a Germanic preference for graphic expression. In his portraits, such as those of the Pixis brothers, he captures individual character through fine stippling. He avoids bold lines in favour of small dots. This approach creates a gentle quality. He applied these principles to religious subjects like the Marriage of S. Catherine. His prints maintain a balance between the formal requirements of Neoclassicism and a softer sensibility.

Modern collectors value these prints for their technical precision. The stipple technique provides a texture that works well in contemporary interiors. These works offer a window into the transition between late Baroque and Neoclassical styles in Germany. The prints provide a sense of calm. They function as sophisticated accents for rooms that require traditional European craft.