His style is defined by the Mannerist preference for artifice and grace. Bedoli painted figures with elongated proportions and smooth skin. His use of colour often involves cool tones and sharp, clear lighting. In works like The Virgin and Child in a Landscape, he creates a sense of stillness through balanced compositions. His brushwork is controlled and results in a polished surface that appears almost like enamel.

Collectors today appreciate the formal discipline and decorative clarity of his work. His architectural designs and religious scenes provide a sophisticated atmosphere for a room. The prints capture the intellectual spirit of the Italian Renaissance while offering a distinct visual alternative to more common classical styles. His work remains a clear example of the refined taste of the Parma school.