His work is a prime example of Northern Mannerism. He filled his panels with writhing figures and whipped drapery that creates a sense of constant movement across the surface. In Christ Taking Leave of His Mother, he uses warm colours and refined glazes to build depth. The figures often feature narrow shoulders and long limbs. He frequently included elaborate bonnets and fanciful costumes to add decorative variety to his crowded compositions.

Modern collectors value these works for their technical precision and their departure from traditional proportions. The deliberate agitation in the poses makes each scene feel active. His ability to balance numerous figures within a single frame provides a sense of scale that works well in domestic settings. These prints offer a window into the transition from late Gothic traditions to the more expressive forms of the sixteenth century.