His technique is defined by soft, dissolving outlines and a muted palette. Unlike the rigid anatomical precision of his contemporaries, works like Study of a Standing Male Nude show a preference for fluid movement. He often used red chalk to create a sense of life on paper. In his painting Mary Magdalene, the figure appears to emerge from the shadows. This approach creates a sense of mystery that was unusual for the formal Florentine school of the seventeenth century.

Modern collectors value his work for its atmospheric quality and psychological depth. His drawings possess a sketch-like immediacy that feels contemporary despite being four centuries old. These pieces suit minimalist or classical interiors because they offer a quiet, moody presence without overwhelming a room. The soft transitions of colour and form make his prints an excellent choice for those who prefer subtle art over bold statements.