His style is defined by sharp lines and a clear sense of volume. He adopted European techniques like chiaroscuro to give figures a solid presence. His work often features symbolic objects such as globes or hourglasses. These elements came from prints brought by Jesuit missionaries. He used gold leaf and lapis lazuli to create formal court portraits. His ability to capture individual facial features made him a preferred painter for the royal family.

Modern collectors value these prints for their technical accuracy and historical detail. The compositions are balanced and formal. They offer a window into the ceremonial life of the seventeenth-century Mughal Empire. The use of clear colours and sharp borders makes them suitable for contemporary interiors. These works provide a sense of historical scale.