His artistic approach combined decorative traditions with the formal structures of the sixteenth century. In works like The Mystic Marriage of Saint Catherine of Alexandria, he used clear outlines and a distinct sense of symmetry. His figures possess a sculptural quality that differs from the atmospheric style of his contemporaries. He often worked on small panels that allowed for close inspection of his technique. This focus on clarity makes his paintings distinctive among the works of the Perugian school.

Modern collectors appreciate the graphic quality and the directness of his compositions. His paintings do not rely on hazy backgrounds or soft transitions. Instead, they offer a structured visual experience. The balanced arrangements and the specific poses of his subjects fit well in contemporary interiors. His work provides a visual record of the intellectual environment in Renaissance Umbria.