His style combines the weight of Florentine painting with the decorative elements found in Sienese art. He typically used tempera and gold leaf on wood panels, creating figures with a static and monumental presence. His panels of Saint Agnes and Saint Bartholomew demonstrate this formal approach. These works avoid the fluid movement of the late Gothic style in favour of a more structured appearance.

Collectors today value these works for their historical accuracy and the use of gold leaf. The clear compositions and balanced forms of the Trecento period suit contemporary interior spaces. These prints provide a direct link to the religious and social history of fourteenth-century Florence.