His style is defined by the Mannerist tradition. He favoured elongated figures and complex compositions that departed from the naturalism of earlier Flemish masters. In works such as The Adoration of the Magi, he uses dramatic lighting and crowded scenes to create a sense of movement. His figures possess a grace influenced by Italian models, yet they retain the precise draughtsmanship of his northern training.

Collectors value his prints for their historical weight and formal complexity. These works represent a bridge between the Renaissance and the Baroque periods. The compositions are active and fill the frame, making them effective decorative pieces for modern rooms. His ability to balance religious narrative with stylistic experimentation offers a look at a volatile era in European art history.