The artist abandoned the light, sketch-like quality typical of the medium in his era. He applied heavy washes and gum arabic to achieve dark tones and atmospheric depth. This approach defined his views of the Roman Campagna and the waterfalls at Tivoli. His style anticipated the Romantic movement by focusing on the scale of nature against ancient ruins. He used a palette of ochre and grey to define the structure of classical architecture.

Modern collectors value these prints for their architectural clarity and calm atmosphere. The works provide a window into the Mediterranean world before the arrival of modern industry. His depictions of the Colosseum or the Temple of Vesta remain popular for their topographical detail and soft light. These images suit contemporary rooms that require a sense of history and open space.