Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Two Illustrations for Samuel Richardson's 'Clarissa' - Daniel Nikolaus Chodowiecki
Regulärer Preis
£28.00 GBP
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£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
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Beschreibung
A pair of detailed etchings by Daniel Nikolaus Chodowiecki, illustrating key dramatic moments from Samuel Richardson's novel Clarissa.
Daniel Nikolaus Chodowiecki, a prolific German printmaker, produced these two etchings to accompany the German translation of Samuel Richardson's epistolary novel, Clarissa. The work demonstrates his skill in capturing domestic drama through precise, small-scale compositions. Chodowiecki was widely recognised for his ability to translate complex literary narratives into visual form, often focusing on the emotional interiority of his subjects.
The left panel depicts a tense encounter between Clarissa and Lovelace, set within a sparsely furnished room. The artist employs fine, controlled lines to define the architectural space and the figures, creating a sense of quiet anticipation. The right panel portrays a more dramatic scene, showing Clarissa in a moment of extreme distress, surrounded by onlookers. The use of light and shadow, particularly the illumination provided by the candles, directs the viewer's attention to the central figure's posture and the surrounding reactions.
Chodowiecki's approach to book illustration was informed by the Enlightenment interest in moral instruction and sentimental literature. His work is characterised by a focus on contemporary dress, interior decor, and the subtle gestures of his characters. These etchings reflect the aesthetic sensibilities of the late eighteenth century, where the clarity of the line and the legibility of the narrative were paramount. The inclusion of small, symbolic vignettes above and below the main scenes adds a layer of commentary, typical of the period's illustrative practices. This print offers a glimpse into the way eighteenth-century readers engaged with popular fiction, viewing the text through the lens of these carefully crafted visual interpretations.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
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Two Illustrations for Samuel Richardson's 'Clarissa' - Daniel Nikolaus Chodowiecki
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Daniel Nikolaus Chodowiecki
Daniel Nikolaus Chodowiecki transitioned from a career in the Berlin grain trade to become a leading figure in European printmaking. He eventually rose to the position of director at the Berlin Academy of Arts. Although he spent most of his life in Prussia, he maintained a strong connection to his Polish identity. He documented his travels back to Danzig through detailed sketches that recorded the local customs of the time.
His artistic approach focused on the daily lives of the middle classes. He modified the aristocratic French style of fêtes galantes to suit a modest, domestic sensibility. His etchings for literary works like Voltaire's Candide and Le Sage's Gil Blas brought visual form to Enlightenment philosophy. These prints avoided the excesses of the Rococo period in favour of a restrained Neoclassical clarity.
Collectors today appreciate the scale and historical accuracy of these works. These prints were designed for personal study rather than public display. They provide a factual record of eighteenth-century fashion and domestic interiors. Pieces such as Mother and Child or The Teacher offer a direct look at the private world of the past.
His artistic approach focused on the daily lives of the middle classes. He modified the aristocratic French style of fêtes galantes to suit a modest, domestic sensibility. His etchings for literary works like Voltaire's Candide and Le Sage's Gil Blas brought visual form to Enlightenment philosophy. These prints avoided the excesses of the Rococo period in favour of a restrained Neoclassical clarity.
Collectors today appreciate the scale and historical accuracy of these works. These prints were designed for personal study rather than public display. They provide a factual record of eighteenth-century fashion and domestic interiors. Pieces such as Mother and Child or The Teacher offer a direct look at the private world of the past.
Unsere Funktionen
Entwickelt für nachhaltige Wirkung
Besondere Eigenschaften
Jedes Solis-Stück wird auf Bestellung mit archivtauglichen Materialien in Galeriequalität gefertigt, die für eine lange Lebensdauer ausgelegt sind.
- Giclée-Druck in Museumsqualität für satte, lichtbeständige Farben
- Mattes Fine-Art-Papier in Archivqualität, FSC-zertifiziert
- Mehrere Größen und Rahmenoptionen verfügbar
- Rahmen in Schwarz, Naturholz, dunklem Holz oder Weiß
- Gerahmte Drucke werden fertig zum Aufhängen geliefert
Pflege & Reinigung
Damit Ihr Kunstwerk optimal aussieht:
- Vorsichtig mit einem weichen, trockenen Tuch abstauben
- Längere direkte Sonneneinstrahlung vermeiden
- Niemals flüssige Reiniger auf Druck- oder Leinwandoberflächen verwenden
- An einem trockenen Ort bei Raumtemperatur aufbewahren
- Drucke mit sauberen, trockenen Händen anfassen
Material & Größe
Museums-Giclée-Druck auf FSC-zertifiziertem, archivbeständigem, mattem Papier, wahlweise mit Rahmen oder als Leinwand.
- Papierformate: A4, A3, A2, A1, A0 und B2 (50×70 cm)
- Leinwand: XS (20×30 cm) bis Large (60×90 cm)
- Rahmen: Schwarz, Naturholz, dunkles Holz oder Weiß
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Biografie des Künstlers
Daniel Nikolaus Chodowiecki
Daniel Nikolaus Chodowiecki transitioned from a career in the Berlin grain trade to become a leading figure in European printmaking. He eventually rose to the position of director at the Berlin Academy of Arts. Although he spent most of his life in Prussia, he maintained a strong connection to his Polish identity. He documented his travels back to Danzig through detailed sketches that recorded the local customs of the time.
His artistic approach focused on the daily lives of the middle classes. He modified the aristocratic French style of fêtes galantes to suit a modest, domestic sensibility. His etchings for literary works like Voltaire's Candide and Le Sage's Gil Blas brought visual form to Enlightenment philosophy. These prints avoided the excesses of the Rococo period in favour of a restrained Neoclassical clarity.
Collectors today appreciate the scale and historical accuracy of these works. These prints were designed for personal study rather than public display. They provide a factual record of eighteenth-century fashion and domestic interiors. Pieces such as Mother and Child or The Teacher offer a direct look at the private world of the past.
His artistic approach focused on the daily lives of the middle classes. He modified the aristocratic French style of fêtes galantes to suit a modest, domestic sensibility. His etchings for literary works like Voltaire's Candide and Le Sage's Gil Blas brought visual form to Enlightenment philosophy. These prints avoided the excesses of the Rococo period in favour of a restrained Neoclassical clarity.
Collectors today appreciate the scale and historical accuracy of these works. These prints were designed for personal study rather than public display. They provide a factual record of eighteenth-century fashion and domestic interiors. Pieces such as Mother and Child or The Teacher offer a direct look at the private world of the past.
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