Tomorrow - Yves Tanguy
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Beschreibung
A 1938 Surrealist oil painting by Yves Tanguy, featuring biomorphic forms in an expansive, dream-like space.
Tomorrow, painted in 1938, is a characteristic example of the work of Yves Tanguy. The composition features a vast, indeterminate space, a hallmark of the artist's mature style. Tanguy creates a sense of infinite distance through a smooth, atmospheric gradient that shifts from pale, hazy tones at the top to a more grounded, sandy hue at the base. Within this void, he places a series of biomorphic, sculptural forms that defy easy classification.
These objects appear to cast long, sharp shadows, which suggests a specific, albeit alien, light source. The contrast between the soft, nebulous background and the precise, hard-edged shadows of the foreground objects creates a tension typical of Surrealist practice. The forms themselves possess a strange, organic quality, resembling bone, stone, or perhaps calcified remains. They are arranged in a manner that implies a narrative or a ritual, yet the exact nature of this interaction remains elusive. Tanguy avoids direct representation, preferring to construct a dream-like environment that relies on the viewer's subconscious associations.
Technically, the painting demonstrates Tanguy's meticulous application of paint. The surface is rendered with a high degree of finish, minimising visible brushwork to enhance the illusion of a smooth, alien reality. His palette is restrained, focusing on muted yellows, soft purples, and off-whites, which contributes to the overall sense of quiet, eerie stillness. By removing the horizon line or any familiar architectural markers, Tanguy forces the viewer to engage with the objects as the sole inhabitants of this psychological space. This work reflects the artist's interest in the exploration of internal states and the construction of non-Euclidean geometries, providing a window into the peculiar, self-contained logic of his imagination.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tomorrow - Yves Tanguy
Artist Biography
Yves Tanguy
He was born in Paris in 1900. He briefly joined the merchant navy in 1918 before being drafted into the army, where he met the poet Jacques Prevert, who later introduced him to Andre Breton's Surrealist circle. He joined the Surrealists in 1925 and had his first solo show just two years later, having taught himself everything.
His paintings consistently depict flat, featureless landscapes resembling sea floors or alien terrain, populated by biomorphic forms that look like melted rocks or bones. He never explained them. The palette is muted, the horizons infinite, the atmosphere airless. The same vocabulary of forms appears across decades of work with only gradual variation.
He married the American Surrealist painter Kay Sage in Reno, Nevada, in 1940. They settled in Woodbury, Connecticut, converting an old farmhouse into a studio. He died there in 1955, aged fifty-five.
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