Three Intersecting Planes - M.C. Escher
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Beschreibung
A 1954 lithograph by M.C. Escher featuring a complex geometric arrangement of intersecting planes within a triangular frame.
M.C. Escher, a Dutch graphic artist, produced Three Intersecting Planes in 1954. This lithograph demonstrates his preoccupation with geometric structures and the manipulation of spatial perception. The composition is contained within a large equilateral triangle, which acts as a frame for the internal arrangement of intersecting forms. Escher uses a restricted palette of black, white, and ochre to define the surfaces of the planes, creating a sense of volume and depth through the use of hatching and shading.
The image presents a complex arrangement of rhombic and triangular shapes that appear to fold and intersect in three-dimensional space. By employing a systematic approach to perspective, Escher creates a visual paradox where the viewer struggles to identify a single, stable orientation. The repetition of these geometric units creates a rhythmic pattern that draws the eye across the surface, encouraging a close examination of how each plane connects to the next. The use of line work is precise, reflecting the artist's background in graphic arts and his technical mastery of the lithographic process.
Unlike his more famous architectural illusions, this work focuses on the pure interplay of form and light. The ochre tones provide a contrast to the stark black and white sections, adding a layer of warmth to the otherwise clinical geometric construction. Escher often explored the mathematical properties of space, and this piece is a clear example of his ability to translate abstract concepts into visual art. It remains a study in order and symmetry, inviting viewers to consider the relationship between two-dimensional representation and three-dimensional reality.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Three Intersecting Planes - M.C. Escher
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