The Saving of the Infant Pyrrhus - Nicolas Poussin
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Beschreibung
A dramatic history painting by Nicolas Poussin, depicting the rescue of the infant Pyrrhus with characteristic Baroque movement and classical structure.
Nicolas Poussin, a central figure of the French Baroque, painted The Saving of the Infant Pyrrhus around 1634. The work depicts a dramatic narrative from Plutarch, recounting the escape of the young Pyrrhus from his enemies in Epirus. The composition is organised with a clear sense of theatrical movement, typical of Poussin's approach to historical subjects. Figures are arranged in a frieze-like manner across the foreground, their gestures conveying urgency and alarm as they navigate the rocky terrain.
The scene is set against a backdrop of rugged cliffs and a distant, classical cityscape. Poussin employs a palette of earthy tones, punctuated by the primary colours of the figures' garments, which guide the viewer's eye across the chaotic action. The lighting is dramatic, casting deep shadows that define the forms and add to the tension of the rescue. The artist balances the emotional intensity of the narrative with a rigorous structural order, a hallmark of his mature style.
This painting demonstrates Poussin's interest in classical antiquity and his ability to translate ancient texts into visual form. The figures are modelled with a sculptural quality, reflecting his study of antique statuary and the works of Raphael. The composition avoids unnecessary clutter, focusing instead on the core action of the infant being passed to safety. The environment, while secondary to the human drama, provides a sense of place and historical weight to the event. This print captures the depth and tonal range of the original oil painting, offering a clear view of the artist's brushwork and the complex interplay of light and shadow across the scene.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Saving of the Infant Pyrrhus - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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