Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Infant Shakespeare between Tragedy and Comedy - Henry Fuseli
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
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Beschreibung
An allegorical oil painting by Henry Fuseli depicting the infant Shakespeare caught between the contrasting muses of Tragedy and Comedy.
Henry Fuseli, a Swiss-born painter active in London, produced this allegorical work during the late eighteenth century. The composition depicts the infant William Shakespeare positioned between two female figures, who represent the dual nature of his dramatic output. The figure on the left, draped in dark, sombre tones, embodies Tragedy, while the figure on the right, lighter and more animated, represents Comedy.
Fuseli was known for his interest in the supernatural, the literary, and the psychological. This painting reflects his fascination with the works of Shakespeare, a subject he returned to frequently throughout his career. The figures are arranged in a triangular formation, a common device in neoclassical and romantic compositions to create balance. The lighting is dramatic, with deep shadows obscuring parts of the background, which directs the viewer's attention to the central figures. The infant Shakespeare reaches out, suggesting his future role as a mediator between these two theatrical modes.
Technically, the work demonstrates Fuseli's preference for elongated forms and expressive, somewhat theatrical gestures. The paint application is smooth, allowing for the subtle transitions of light and shadow across the skin tones and drapery. The dark, murky background serves to isolate the figures, creating a sense of mystery. This piece is characteristic of the artist's approach to historical and literary subjects, where he prioritised emotional intensity and symbolic narrative over strict realism. The work remains a clear example of the intersection between literature and visual art in the British Romantic period.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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The Infant Shakespeare between Tragedy and Comedy - Henry Fuseli
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Henry Fuseli
Fuseli reportedly ate raw pork chops before bed to induce nightmares for painting inspiration. The story may be apocryphal, but The Nightmare (1781), which shows a woman draped unconscious over a bed with an incubus squatting on her chest and a horse's head emerging from the darkness, suggests the method, if it existed, worked.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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