Still Life with Parrot and Flag - Frida Kahlo
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Beschreibung
A detailed still life by Frida Kahlo featuring native Mexican fruits, a parrot, and a small national flag, painted in 1951.
Painted in 1951, Still Life with Parrot and Flag represents the later period of Frida Kahlo's career. During these years, her health declined, and she increasingly turned to the genre of still life to explore themes of national identity and personal mortality. The composition is crowded with native Mexican fruits, including prickly pears, mamey, and chirimoya. These objects are rendered with a precise, almost clinical observation that contrasts with the emotional weight often associated with her self-portraits.
A small Mexican flag is positioned among the fruit, acting as a clear marker of her patriotism. The parrot, a recurring motif in her work, sits perched atop the produce. The painting avoids the traditional perspective of European still life, opting instead for a flattened, dense arrangement that fills the entire frame. The colour palette is dominated by warm, earthy tones, punctuated by the specific textures of the fruit skins and the soft feathers of the bird.
Kahlo's technique here shows a shift towards a more deliberate, controlled application of paint. The work reflects her interest in the material culture of Mexico, using the abundance of the earth to construct a visual narrative of belonging. By placing the flag directly into the fruit, she links the biological reality of the harvest with the political reality of her country. This piece provides a view into the artist's domestic world, where the boundaries between the natural environment and national identity are blurred. The lack of negative space creates a sense of claustrophobia, which is common in her late works, suggesting a preoccupation with the physical world as her own mobility became restricted.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Still Life with Parrot and Flag - Frida Kahlo
Artist Biography
Frida Kahlo
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
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