Self-Portrait with the Portrait of Doctor Farill - Frida Kahlo
Archival Pigmentdruck
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Beschreibung
A 1951 oil painting by Frida Kahlo, depicting the artist in her wheelchair alongside a portrait of her surgeon, Doctor Juan Farill.
Painted in 1951, this work depicts Frida Kahlo seated in a wheelchair, holding a palette that features a painted heart. Beside her, an easel displays a portrait of Doctor Juan Farill, the surgeon who performed several spinal operations on the artist during this period. The composition is sparse, placing the figures within a stark, room-like space with wooden floorboards and plain walls.
Kahlo wears a white huipil and a dark skirt, traditional Mexican garments she favoured throughout her career. Her expression is composed, yet the presence of the wheelchair and the anatomical heart on her palette communicate the physical reality of her health at the time. The painting functions as a record of the relationship between patient and physician, documenting the medical care she received.
Unlike the dream-like imagery often associated with her work, this piece maintains a direct, observational quality. The focus remains on the act of painting as a means of processing her physical condition. The inclusion of the portrait of Doctor Farill on the easel creates a dual-subject composition, where the artist and her healer occupy the same pictorial space. The muted colour palette and the rigid geometry of the easel and wheelchair contribute to the clinical atmosphere of the scene. This work remains a clear example of how Kahlo used her own image to document the specific circumstances of her life, providing a visual account of her medical history and the individuals who influenced her recovery.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Self-Portrait with the Portrait of Doctor Farill - Frida Kahlo
Artist Biography
Frida Kahlo
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
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