No. 3/No. 13 (Magenta, Black, Green on Orange) - Mark Rothko
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Beschreibung
A fine art print of Mark Rothko's 1953 Abstract Expressionist work, featuring his signature stacked rectangular forms and soft-edged colour fields.
Mark Rothko, born Marcus Rothkowitz in Latvia, became a central figure in the New York School of painters during the mid-twentieth century. This work, created in 1953, belongs to his mature period, during which he refined his signature format: stacked rectangular forms that appear to hover within a larger field of colour.
The composition consists of distinct horizontal bands. A deep, dark rectangle dominates the upper portion, framed by a thin strip of magenta at the top edge. Below this, a lighter, off-white band acts as a transition to the lower section, where a block of green sits against a ground of warm orange. The edges of these rectangles are not hard or defined; instead, they possess a soft, feathered quality, suggesting that the colours are bleeding into one another or floating in space.
Rothko applied thin layers of oil paint, often using a dry brush technique to create a luminous surface. This method allows light to reflect off the canvas in a way that gives the colours a sense of internal glow. By removing representational imagery, Rothko aimed to focus the viewer on the physical presence of the paint and the interaction between the hues. The scale of the original work is large, intended to envelop the viewer's field of vision. This fine art print captures the subtle tonal variations and the atmospheric quality of the original surface, providing a clear view of the artist's technique and his specific approach to colour relationships. It is a representative example of his work from the early 1950s, a period when he moved away from his earlier surrealist-influenced shapes toward the pure, meditative abstraction that defined his career.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
No. 3/No. 13 (Magenta, Black, Green on Orange) - Mark Rothko
Artist Biography
Mark Rothko
Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting.
Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
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