Minotaur is Wounded, Horse and Personages - Pablo Picasso
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Beschreibung
A 1936 work by Pablo Picasso depicting the fallen Minotaur, a recurring mythological motif in his mid-career art.
This work by Pablo Picasso, dated 1936, captures a recurring theme in the artist's mid-career output: the Minotaur. During the 1930s, Picasso frequently returned to this mythological figure, often using the creature as a surrogate for his own psychological state or as a symbol of raw, untamed instinct. In this composition, the Minotaur lies fallen, pierced by a weapon, while a horse rears above him in a state of agitation. The scene is populated by additional figures, rendered with a sparse, linear quality that contrasts with the washes of colour applied to the background and the central forms.
The aesthetic approach here reflects the influence of Surrealism, where dream-like imagery and symbolic narratives take precedence over realistic depiction. Picasso employs a combination of ink lines and watercolour to define the forms, allowing the paper to show through in areas, which provides a sense of immediacy and sketch-like quality. The horse, a frequent motif in Picasso's work, appears here with an expression of distress, its head thrown back and mouth open. The human figures, drawn with minimal detail, observe the scene, creating a sense of detachment or theatrical staging.
This piece is part of a broader body of work from the 1930s that includes the famous Minotauromachy print. It demonstrates Picasso's ability to manipulate classical mythology to address personal and universal themes of suffering, violence, and mortality. The composition is balanced through the placement of the fallen beast against the verticality of the standing figures and the rearing horse. The muted palette, dominated by earth tones and washes of blue, keeps the focus on the dramatic interaction between the figures rather than decorative elements. It remains a significant example of Picasso's graphic work during a period of intense creative output.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Minotaur is Wounded, Horse and Personages - Pablo Picasso
Artist Biography
Pablo Picasso
Picasso's impact transcends Cubism. He flirted with Surrealism, lending his unique vision to the movement's exploration of the subconscious. His art became a mirror reflecting the tumultuous 20th century, from the horrors of war, most powerfully expressed in "Guernica", to the vibrant energy of post-war life. What truly set Picasso apart was his relentless experimentation; he never settled, never repeated, constantly pushing the boundaries of what art could be.
Owning a Picasso print isn't just about acquiring a beautiful image; it's about inviting a piece of art history into your home. It's a conversation starter, a testament to the power of artistic innovation, and a daily reminder to challenge the status quo. From his Cubist portraits to his linocuts, Picasso's genius lies in his ability to make us see the world anew.
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