A detailed eighteenth-century engraving by Pierre Filloeul, depicting the calligrapher Lievens van Coppenol after an original composition by Rembrandt.

This print by Pierre Filloeul reproduces a portrait of the Dutch calligrapher Lievens van Coppenol. The original painting, attributed to Rembrandt, depicts the subject in a moment of quiet concentration. Filloeul, a French engraver active in the eighteenth century, captures the tonal depth of the original work through precise cross-hatching and varied line weights. The composition focuses on the sitter, who is seated at a table with a quill in hand, poised over an open manuscript. His attire, featuring a prominent ruff collar, reflects the fashion of the seventeenth century, providing a sense of historical period. The background remains dark and atmospheric, which directs the viewer's attention to the illuminated face and hands of the calligrapher.

Below the image, the print includes detailed inscriptions and a coat of arms, identifying the work as part of the collection of the Count of Brühl, the Prime Minister to the Elector of Saxony and King of Poland. This inclusion of provenance information within the plate itself is characteristic of eighteenth-century reproductive prints, which often served to document the holdings of major European galleries. The technical execution demonstrates the skill of the engraver in translating the painterly qualities of the original into a monochromatic medium. The play of light across the pages of the book and the texture of the fabric demonstrate a careful observation of form. This print offers a window into the practice of historical reproduction, where the work of a seventeenth-century master is interpreted through the lens of an eighteenth-century printmaker.