Landscape with Sun - Max Ernst
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Beschreibung
An early 1909 oil painting by Max Ernst, featuring energetic brushwork and a bold, expressive use of colour.
Painted in 1909, this early work by Max Ernst predates his involvement with the Dada and Surrealist movements. At this stage in his career, Ernst was heavily influenced by the Post-Impressionist and Expressionist styles prevalent in Germany. The composition displays a clear interest in the emotive power of colour and the physical application of paint, rather than a strict adherence to representational accuracy.
The canvas is dominated by horizontal bands of colour, which suggest a sky and a horizon line. A bright, circular sun sits near the top, rendered in thick, impasto strokes of yellow. Below this, a band of fiery orange and red cuts across the centre, contrasting with the cooler blues and greens that occupy the lower portion of the frame. The brushwork is energetic and visible, creating a textured surface that captures light and movement.
This piece offers a glimpse into the formative years of an artist who would later become known for his experimental techniques and dreamlike imagery. Here, the focus remains on the atmospheric quality of the scene. The application of paint is direct, with little blending, allowing the individual colours to retain their intensity. It is a study in light and mood, reflecting the artist's early engagement with the possibilities of oil paint as a medium for personal expression. The signature and date are visible in the lower right, confirming its origin during his time in Bonn. This print captures the tactile quality of the original oil paint, preserving the heavy brushwork and the raw energy of Ernst's early experimentation with colour theory and composition.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landscape with Sun - Max Ernst
Artist Biography
Max Ernst
He was born in Brühl, near Cologne, and studied philosophy and art history at the University of Bonn. He had no formal art training. He saw a Picasso exhibition, joined the Rhineland Expressionists, served in the German army during the First World War (artillery), and emerged with what he described as a compulsion to find something beyond rational thought. Dada gave him the method. Surrealism gave him the framework.
His collage novels, made from cut-up Victorian engravings reassembled into dreamlike narratives, are among the most original works of the twentieth century. Une Semaine de Bonte (A Week of Kindness, 1934) is a series of 182 collages arranged in five chapters, each associated with an element and a day of the week. The imagery is violent, erotic, and funny. The source material, melodramatic Victorian illustrations, is treated with deadpan seriousness.
He married four times. His second wife was Peggy Guggenheim (briefly). His fourth was the painter Dorothea Tanning. He moved to America during the war, lived in Sedona, Arizona, and then returned to France. He died in Paris in 1976, the night before his eighty-fifth birthday.
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