Lamia - John William Waterhouse
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Beschreibung
A 1905 oil painting by John William Waterhouse depicting a scene from John Keats's poem, Lamia, featuring a soldier and a serpent-woman in a forest.
John William Waterhouse painted this work in 1905, drawing inspiration from the narrative poem by John Keats. The scene depicts the moment the serpent-woman Lamia encounters a young soldier in a forest. She kneels before him, her gaze fixed upon his face, while he appears caught in a state of bewilderment or enchantment. The composition focuses on the tension between the two figures, set against a dark, dense woodland background that obscures the surrounding environment.
Waterhouse employs a muted colour palette, dominated by deep greens, browns, and the soft, pale pink of Lamia's gown. The soldier is clad in polished steel armour, which reflects the dim light of the forest. The artist uses fine brushwork to render the textures of the metal, the fabric of the dress, and the surrounding foliage. The painting reflects the late Pre-Raphaelite interest in classical and romantic literature, a recurring theme throughout the artist's career. The figures are positioned to create a sense of intimacy, yet the atmosphere remains heavy with the foreboding nature of the original poem. The work is currently held in a private collection, though it remains one of the most recognised examples of Waterhouse's fascination with the femme fatale archetype in Victorian art.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Lamia - John William Waterhouse
Artist Biography
John William Waterhouse
He was born in Rome to English parents (both painters) and grew up surrounded by Italian art before moving to London as a child. He studied at the Royal Academy Schools and exhibited there from 1874 until his death in 1917. He was a Royal Academician, successful, respected, and thoroughly Victorian.
His technique is Pre-Raphaelite in spirit but Impressionist in handling. The early works are tighter, more archaeological, influenced by Alma-Tadema's classical scenes. The later paintings are looser, with broader brushwork and richer colour. The Lady of Shalott (1888) combines both: precise detail in the boat and tapestry, atmospheric softness in the trees and water.
He painted several versions of the same subjects. Two versions of The Lady of Shalott. Two of Ophelia. Multiple paintings of Circe. He returned to the same stories because the stories gave him what he needed: a beautiful woman in a dramatic landscape at a moment of transformation. The formula was reliable and the execution was consistently good.
He is sometimes grouped with the Pre-Raphaelites but was a generation younger than Rossetti, Millais, and Hunt. He was closer to the Aesthetic Movement and to late Victorian narrative painting. He is one of the most reproduced painters in the history of art prints, which would have pleased him.
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