The Mirror of Venus - Edward Burne-Jones
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Beschreibung
A classic Pre-Raphaelite work by Edward Burne-Jones, depicting Venus and her companions gazing into a reflective pool in a rocky, arid setting.
The Mirror of Venus, painted by Edward Burne-Jones between 1873 and 1877, captures a quiet moment of mythological reflection. The composition features Venus, standing tall in a flowing blue gown, as she leads a group of young women to a pool of water. The figures are gathered around the edge, peering down to observe their own images reflected in the surface. Burne-Jones employs a muted, earthy palette, punctuated by the deep blues and terracotta reds of the drapery, which creates a sense of harmony across the canvas.
The setting is an arid, rocky terrain, which contrasts with the soft, rounded forms of the figures. This work demonstrates the artist's interest in classical themes, filtered through the aesthetic sensibilities of the late Victorian era. Rather than focusing on the narrative action of the myth, the painting prioritises mood and the arrangement of figures within a shallow, stage-like space. The repetition of the kneeling poses creates a rhythmic quality, drawing the eye towards the central pool where the real and the reflected merge.
Burne-Jones was a central figure in the later phase of the Pre-Raphaelite movement. His approach often moved away from the strict realism of his predecessors, favouring a more poetic and dreamlike quality. The Mirror of Venus is a clear example of this shift, where the focus is on the decorative potential of the human form and the creation of an atmospheric, otherworldly environment. The painting remains a significant example of his ability to blend classical subject matter with a personal, stylistic vision that avoids the rigid conventions of his time.
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Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Mirror of Venus - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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