Elvis I & II - Andy Warhol
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Beschreibung
A classic Pop Art composition by Andy Warhol, featuring the iconic musician Elvis Presley in a repetitive, silkscreened format.
Andy Warhol produced this work during a period of intense fascination with celebrity culture and the mechanics of mass media. The image derives from a publicity still for the 1960 film Flaming Star, in which Elvis Presley appears as a cowboy. Warhol utilised the silkscreen process to replicate the figure, stripping away the original context of the film and transforming the subject into a repetitive icon.
The composition is divided into two distinct sections. On the left, the figure appears in high-contrast colour, with a saturated red shirt set against a flat blue background. On the right, the image shifts to a monochromatic, ghostly iteration. This variation in tone reflects the artist's interest in the degradation of images through mechanical reproduction. The rough, uneven application of ink and the visible texture of the linen surface are characteristic of Warhol's studio practice during the early 1960s.
By isolating the figure and repeating it, Warhol draws attention to the artificial nature of fame. The subject is presented not as a person, but as a commodity. The work functions as a critique of the public appetite for celebrity imagery, while simultaneously participating in the creation of that imagery. The stark contrast between the coloured and monochrome panels forces the viewer to consider the image as both a physical object and a cultural signifier. This piece remains a primary example of the artist's method of using commercial techniques to create fine art, effectively blurring the boundaries between high culture and popular media.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Elvis I & II - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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