Sammlung
Paul Signac
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Der Hafen von La Rochelle - Paul SignacPrint · Framed
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Der Pinienbaum in St. Tropez - Paul SignacPrint · Framed
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Der Heuhaufen - Paul SignacPrint · Framed
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Le Clipper, Asnières - Paul SignacPrint · Framed
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Château de Comblat, Vor – Paul SignacPrint · Framed
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Die Eisenbahn bei Bois-Colombes - Paul SignacPrint · Framed
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Chateau de Comblat - Paul SignacPrint · Framed
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Gasometer in Clichy - Paul SignacPrint · Framed
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Fécamp, Sonnenschein – Paul SignacPrint · Framed
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Saint Briac, Hof der Villa Hue - Paul SignacPrint · Framed
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Saint-Brac, Le Béchet - Paul SignacPrint · Framed
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Paris, Ponton des Bains Bailet - Paul SignacPrint · Framed
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Die Hutmacherin - Paul SignacPrint · Framed
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Saint-Briac, Le Balise du Cheval – Paul SignacPrint · Framed
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Die Straße nach Gennevilliers - Paul SignacPrint · Framed
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Le Croisic - Paul SignacPrint · Framed
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Schlepper am Pont Neuf, Paris – Paul SignacPrint · Framed
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Le Pouliguen, Fischerboote - Paul SignacPrint · Framed
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La Rochelle - Paul SignacPrint · Framed · Canvas
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Le Pont des Arts - Paul SignacPrint · Framed · Canvas
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In Vlissingen - Paul SignacPrint · Framed · Canvas
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Einfahrt zum Hafen von La Rochelle - Paul SignacPrint · Framed · Canvas
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Stillleben mit Krug - Paul SignacPrint · Framed · Canvas
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Harmonische Zeiten - Paul SignacPrint · Framed · Canvas
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Artist Biography
Paul Signac
Paul Signac, a pivotal figure in the Pointillist movement, often stands in the shadow of his more famous friend, Georges Seurat. However, Signac's contribution to the development and popularisation of this revolutionary technique is undeniable. Born in Paris in 1863, he initially trained as an architect before finding his true calling in painting. Unlike many of his contemporaries, Signac came from a relatively wealthy background, allowing him the freedom to pursue his artistic passions without the immediate pressure of commercial success.
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
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