Sammlung
Gustave Courbet
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The Source of the Lison - Gustave Courbet
Print
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The Huntsman's Picnic - Gustave Courbet
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Portrait of Monsieur Nicolle - Gustave Courbet
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The Waves - Gustave Courbet
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Shores of Normandy - Gustave Courbet
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Portrait of Mathilde Couq - Gustave Courbet
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The Reflection - Gustave Courbet
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The Sleeping Embroiderer - Gustave Courbet
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Portrait of Zélie Courbet - Gustave Courbet
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Woman of Frankfurt - Gustave Courbet
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The Source of the Loue River - Gustave Courbet
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Pierre-Joseph Proudhon and His Children in 1853 - Gustave Courbet
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The Cliffs at Etretat - Gustave Courbet
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Portrait of Champfleury - Gustave Courbet
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The Calm Sea - Gustave Courbet
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After the Storm - Gustave Courbet
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The Origin of the World - Gustave Courbet
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Three Red Apples - Gustave Courbet
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Going Fishing - Gustave Courbet
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The Trellis (Young Woman Arranging Flowers) - Gustave Courbet
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Apples - Gustave Courbet
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Portrait of a Woman, Called Héloïse Abélard - Gustave Courbet
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A Brook in the Forest - Gustave Courbet
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View of Ornans - Gustave Courbet
Print · Framed
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Artist Biography
Gustave Courbet
Gustave Courbet, the swaggering enfant terrible of 19th-century French painting, didn't just depict reality; he wrestled it onto the canvas. Born in 1819, Courbet rejected the saccharine historical fantasies favoured by the Academy, choosing instead to paint what he saw around him: peasants, landscapes, and the unvarnished truth of the human form. This commitment to Realism, a movement he effectively spearheaded, was as much a political act as an aesthetic one, a defiant shout against the established order.
Courbet's most famous works, such as 'The Stone Breakers' (destroyed during WWII) and 'Burial at Ornans', were not merely paintings; they were manifestos. He elevated the everyday to the monumental, forcing viewers to confront the lives of ordinary people with the same seriousness previously reserved for gods and heroes. His nudes, like 'The Bathers', scandalised Parisian society, not for their nudity, but for their unapologetic lack of idealisation. They were real women, with real bodies, a stark contrast to the airbrushed fantasies of academic art.
Though controversial in his time, Courbet's influence is undeniable. He paved the way for future generations of artists to break free from tradition and embrace the world around them. Owning a Courbet print is more than just acquiring a beautiful image; it's a declaration of independence, a celebration of the real, and a nod to the artist who dared to paint the world as it truly was.
Courbet's most famous works, such as 'The Stone Breakers' (destroyed during WWII) and 'Burial at Ornans', were not merely paintings; they were manifestos. He elevated the everyday to the monumental, forcing viewers to confront the lives of ordinary people with the same seriousness previously reserved for gods and heroes. His nudes, like 'The Bathers', scandalised Parisian society, not for their nudity, but for their unapologetic lack of idealisation. They were real women, with real bodies, a stark contrast to the airbrushed fantasies of academic art.
Though controversial in his time, Courbet's influence is undeniable. He paved the way for future generations of artists to break free from tradition and embrace the world around them. Owning a Courbet print is more than just acquiring a beautiful image; it's a declaration of independence, a celebration of the real, and a nod to the artist who dared to paint the world as it truly was.
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