Sammlung
Gustave Courbet
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View of Ornans - Gustave Courbet
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Das Meer – Gustave Courbet
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Marine: Der Wasserhosen - Gustave Courbet
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Monsieur Suisse – Gustave Courbet
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Louis Gueymard als Robert der Teufel - Gustave Courbet
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Frühlingsblumen - Gustave Courbet
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Der versteckte Bach - Gustave Courbet
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Das Fischerboot – Gustave Courbet
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Madame Frédéric Breyer (Fanny Hélène Van Bruyssel) – Gustave Courbet
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Akt mit blühendem Zweig – Gustave Courbet
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Jo, La Belle Irlandaise - Gustave Courbet
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Ein Bach in einer Lichtung – Gustave Courbet
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Die Quelle - Gustave Courbet
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Porträt eines Mannes (Gustave Courbet) - Gustave Courbet
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Die junge Badende - Gustave Courbet
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Panoramablick auf die Alpen, Les Dents du Midi – Gustave Courbet
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Frau L... (Laure Borreau) - Gustave Courbet
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Porträt eines Jungen - Gustave Courbet
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Sitzender junger Mann im Kittel - Gustave Courbet
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Brücke in einer Landschaft - Gustave Courbet
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Bäuerin an einem Brunnen - Gustave Courbet
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Ein Steinhauer - Gustave Courbet
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Porträt des Marc Trapadoux - Gustave Courbet
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Der Apostel Jean Journet – Gustave Courbet
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Artist Biography
Gustave Courbet
Gustave Courbet, the swaggering enfant terrible of 19th-century French painting, didn't just depict reality; he wrestled it onto the canvas. Born in 1819, Courbet rejected the saccharine historical fantasies favoured by the Academy, choosing instead to paint what he saw around him: peasants, landscapes, and the unvarnished truth of the human form. This commitment to Realism, a movement he effectively spearheaded, was as much a political act as an aesthetic one, a defiant shout against the established order.
Courbet's most famous works, such as 'The Stone Breakers' (destroyed during WWII) and 'Burial at Ornans', were not merely paintings; they were manifestos. He elevated the everyday to the monumental, forcing viewers to confront the lives of ordinary people with the same seriousness previously reserved for gods and heroes. His nudes, like 'The Bathers', scandalised Parisian society, not for their nudity, but for their unapologetic lack of idealisation. They were real women, with real bodies, a stark contrast to the airbrushed fantasies of academic art.
Though controversial in his time, Courbet's influence is undeniable. He paved the way for future generations of artists to break free from tradition and embrace the world around them. Owning a Courbet print is more than just acquiring a beautiful image; it's a declaration of independence, a celebration of the real, and a nod to the artist who dared to paint the world as it truly was.
Courbet's most famous works, such as 'The Stone Breakers' (destroyed during WWII) and 'Burial at Ornans', were not merely paintings; they were manifestos. He elevated the everyday to the monumental, forcing viewers to confront the lives of ordinary people with the same seriousness previously reserved for gods and heroes. His nudes, like 'The Bathers', scandalised Parisian society, not for their nudity, but for their unapologetic lack of idealisation. They were real women, with real bodies, a stark contrast to the airbrushed fantasies of academic art.
Though controversial in his time, Courbet's influence is undeniable. He paved the way for future generations of artists to break free from tradition and embrace the world around them. Owning a Courbet print is more than just acquiring a beautiful image; it's a declaration of independence, a celebration of the real, and a nod to the artist who dared to paint the world as it truly was.
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